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gage

After the earth shattering success of his debut Telo/Shiftin single in March, Gage has laid relatively low, contributing a volume to Truants’ “Functions of the Now” mix series and allowing “Telo” to percolate into ever-larger circles of influence. As far as the grime continuum goes, Gage fits somewhere between the sino abstractions of the Boxed collective and the minimal, driving techno of Mumdance and Pinch’s b2b effort for Tectonic. Gage’s productions are abrasive and dressed up in grime nomenclature, but also supremely worthy for the club in their composition and general affect. Gage’s latest effort, a remix contribution to Inkke‘s upcoming Local Action EP, balances both, applying sparse rhythm technology and bright, minor key melodic work in the same passage. Inkke’s Crystal Children EP is set for a July 21 release date and will also feature remix work from JT The Goon.

last-japan-ride-with-us

Last Japan‘s technical abilities, derived from a music-filled childhood and “computer music” school, are undeniable, but his production output has always left this listener particularly cold. His Circadian Rhythms show on NTS and general DJ work is consistently excellent, but his original work, even collaborations with Trim, have too often come off as safe and carefully mediated through a nostalgic sheen. That’s not to say that his sound design and focus on structural perfection aren’t impressive though. The basis for success has always been there, but the London-bred artist has rarely shown the inventiveness necessary for widespread critical adoration. That being said, his latest collaboration-filled mixtape, Ride With Us, is one of the more visceral, genre-bending efforts to come about all year. The tape, meant as a “musical journey through the dark fringes of London city,” spans pirate radio culture, merging frigid squarewave grime, delightfully swung 2 step and a refined conception of sub-bass into an emotional melange of desperation, anonymity and paranoia. An impressive list of collaborators is highlighted by Trim, Prince Rapid, Mr. Mitch and a surprise vocal performance from Emma DD on “Eclipse”, the song that functions as the proverbial sun-coming-up moment on the tape. The mixtape ends with the Cliques-assisted “Alpha Logic”, a roiling jungle update that utilizes elastic aluminum percussion to maximum effect and one of the more intoxicating breakbeat-led tracks to come out in recent memory. Summer in Los Angeles is about as far from the proper context to listen to Ride With Us, but it’s clear that Last Japan has zeroed in on a cobalt blue aesthetic, as well as a sedulous tribute to the London underground. Stream Ride With Us below and head to Bandcamp to download the full tape.

sabrina-clique-traque

Berlin is quickly becoming home to a cadre of wildly inventive producers combining the stringent hierarchy and supreme production ideals of techno with the roughshod experimentalism of grime, ballroom and Jersey club. Lotic, M.E.S.H. and Jacques Gaspard Biberkopf are the first to come to mind, but fellow Berliner She’s Drunk has also been churning out major tunes, many of which were highlighted in his “Materials” mix for DIS Mag. Recently, She’s Drunk joined up with Le Feu to form Sabrina, an exciting dancefloor duo that has found a home at (former Facebook group) Through My Speakers. “Clique Traque”, from Through My Speakers’ Nurned.01 compilation, is the first song to appear from the project and it does not disappoint, combining healthy wooden percussion with a demanding “fucking click track” vocal sample. The song can be downloaded sans fee here along with a track by Radar Bird.

jt-the-goon

Listening to a remix sans knowledge of the original is always a fascinating venture, inciting wild speculation and undeniably shaping ones eventual listening experience. JT The Goon‘s remix of Inkke‘s “Paradise” has had a perplexing effect after several listens, falling on the more beauteous, melancholic side of both JT and Inkke’s spectrum while featuring a vocal performance new to both producers’ work. Splintering kicks enter the picture when needed, but the track functions as a sort of grime singer-songwriter fair, churning several short vocal bits from Julia Juban into a wandering, cinematic piece of pop futurism. How Inkke’s original sounds is almost impossible to consider in light of JT’s brilliance, but the song, which will appear on his upcoming Crystal Children EP for Local Action, is readily anticipated.

6maka6-hesk

Toronto by-way-of Montreal producer Steven Hill, aka 6MAKA6 (formerly Hesk), has plied his trade in the footwork-verse for several years now, representing the form in Canada and collaborating with the likes of Nadus and Paveun. 6MAKA6, Hill’s latest project, sees him delving into hyper-real drum trax by combining the visceral rawness of ghetto house with a hi-fi, crisp sound palette and slamming production quality. “Helium”, a reverb heavy track in the Jam CIty vein, set the tone for the project, but “Clap Bakk (Clap For Me)” is the mission statement, dispensing of pastiche to draft a wholly original document. Two deliberately chopped classic vocal samples, give the track texture and relative respite from the thumping kicks, while Boddika-esque arrangements drum machine arrangements delight. Whether you call it techno or something else entirely, it’s clear that Hill has tapped into something special with this alias. Head over to Insert to grab a free download of “Clap Bakk (Clap For Me)” and be sure to bookmark Sir 6MAKA6.

palmistry-protector-se5

Back in 2012, Benjy Keating, aka Palmistry, released a collaborative full-length with Cantonese-language MC Vinh Ngan as Triad God. The album, titled NXB (“New Cross Boys”), was released on Hippos in Tanks and featured swimming, cinematic production that brought to mind both aquamarine ocean tones and molasses-drenched house production. These days, Keating is functioning as a solo entity and has taken the blueprint established on NXB and melded it with a melodramatic dancehall archetype. Keating brings a sensual touch to dancehall that goes against the form’s standard braggadocio, but involves a beyond complete audial/visual composition that belies his relatively recent entry into the solo singer/producer world. “Protector SE5”, presumably referencing the London post code, is Palmistry’s latest single for Mixpak and a brilliant follow-up to the still-in-rotation “Catch”. Pre-order “Protector SE5” here and watch the Keating and Daniel Swain directed “Catch” video here.

trap-door

Alongside fellow Gang Fatale members Neana, Georgia Girls and Ra’s Al, Trap Door (born Connor Shepherd) has rocketed into the popular consciousness over the past several months. Whereas Neana cuts deep with razor-sharp percussive tools and Georgia Girls throws an array of frenzied samples and sonic manipulations into the mix, Manchester-resident Trap Door prefers a clean, stripped back approach to dance music. While an exact release date has not been announced quite yet, Shepherd will release the Emerald Dove EP on B.YRSLF DIVISION at some point in the next several months. Emerald Dove will feature remixes from Mike G, Dreams and Grandivaa.

riley-lake-b-goin-in

As he’s balanced hip hop production, mix engineer work and the ever-progressing concern of a growing hardware stockpile, Milwaukee-resident Riley Lake (born Will Mitchell) has also consistently dipped his toes into the realm of club music, drawing material and influence from a collection of producers, labels and crews that range from the tasteful linearity of Clone and 3024 to boundary-pushing grime outlets Goon Club All Stars and Glacial Sound. “B Goin In” is his latest foray into clubland and features both a dub mix and a delightfully fun Destiny’s Child flip. The stripped back dub mix highlight’s Mitchell’s substantial progression over the past year or so, a veritable simulacrum of the contemporary avant-garde dance that signals a bank of well-researched samples and a strong comprehension of the physical dimensions of the club space. Drop Mitchell a line on Twitter for a download and hit the jump to the stream the “B Goin In (Vocal Mix)”.

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slackk

Since Slackk first burst into the general consciousness as a producer circa 2010, he has proven to be a figurehead of sorts in the instrumental grime movement and one of its foremost proponents as a co-founder of the Boxed club night. His solo productions have ranged from four-on-the-floor UK funky utilizing a classic eski sound palette to the black key heavy Minor Triads and Failed Gods EPs. On September 1, Slackk will release his debut LP on Local Action, titled Palm Tree Fire. “Ancient Dolphin” is the first offering from the tape and sees a refined version of his earlier funky/grime explorations. It’s ragged, richly melodic and a little campy. One of the most interesting facets of the Boxed crew’s output in the past year or so is the precise nature in which the dancefloor is understood and at times removed from the equation. “Ancient Dolphin” epitomizes that understanding, matching distinctly minor scale melodic work with chugging, syncopated drum work. It represents a lot of time spent playing out and subsequently taking that experience into the studio. It might not end up being the defining document of grime’s resurgence, but Palm Tree Fire has the opportunity to coherently draw the line between club, radio and home listening.

chemist

We first heard “Defiance” a few months ago at the tail-end of Chemist‘s raucous Astral Plane mix and the punctilious grime weapon has surfaced in official fashion this week. Set for a release on Coyote Records, “Defiance” draws from the industrial, mechanized side of grime populated by SD Laika, Rabit and Saga, utilizing squarewave bass in short blasts over snapping, brittle snares with brutal, dynamic affect. “Defiance” will appear on an EP of the same name, due in the near future on Coyote, which also has a follow-up to the eminently relevant Coyote Kings compilation on the way.