Archive

New Music

tsvi

Since last year’s Malfunction EP, Tsvi’s sound has seemed to condense and expand in equal measure, his sparkly overtures into boogie funk-inspired work have mostly gone by the wayside in favor of halting metallic efforts like “Something” and, more recently, the London-based producer’s edit of Scratcha DVA’s “The End”. The cut up synth work and shimmering surfaces are still there, but in some cases, Tsvi has gone in another direction, offering up banging four-on-the-floor techno (see: “Aquaflush” and his remix of Drones Club’s “Changeling”). Maybe it’s the dialogue with DVA, Mickey Pearce and other likeminded artists, but Tsvi, and Nervous Horizon in general, has been delving into increasingly bizarre, entangled forms of club music and the results are jaw dropping across the board.

There’s no release date yet, but Tsvi’s Set You Free EP will mark the second solo release on Nervous Horizon (after Wallwork & RZR’s Don’t Panic EP) and, if you’ve been listening to Tsvi & Crack Palace’s Radar Radio slots or the Swamp81 Rinse show, you’ll recognize much of the direction the artist and label are beginning to embark on. Across several solo tunes, a collaboration with Luru and remixes from Lokane and Luru, raw, machinic noise is the modus operandi on Set Me Free, whether that be scraping snares or pulses found throughout. The Nervous Horizon crew is packed with talent these days and yet Tsvi still manages to shine through each and every time, delineating exactly what makes the label so unique while pushing it further. Be on the lookout for more news regarding Set You Free and check out a radio rip of Luru’s edit of the title track after the jump.

Read More

sugur shane

Back in June, web outlet/community Classical Trax released two volumes of grime compilation Architecture in quick succession, bringing in artists like Maribor, Morten_HD, Archer, Korma and more to show off just how many different mutations of the UK sound has arisen. And while it might be a stretch to consider everything on Architecture: Chapter One and Two as following format established by the genre’s forefathers, the nomenclature still seems to fit in a vague sense. On September 30, Classical Trax will release a Deluxe Edition of the Architecture tapes, another stab at the London-centric sound with a new group of talent involved. Today, we’ve got Sugur Shane‘s Jeb1-produced and Deshawn Timothy-assisted “Vintage Rebel”, bringing together the two Philadelphia MCs with some classic-sounding sample chop production. Less an attempt to shoehorn a ballroom production template into grime or vise versa, “Vintage Rebel” features Sugur Shane and Deshawn Timothy spitting at their finest over Spooky-esque production, Jeb1’s cut up beat providing the perfect backdrop for the MC’s verbal acrobatics. Look out for Architecture: Deluxe Edition on September 30 and be sure to check out The Levels Are Very High‘s promo video for the tape after the jump. Artwork for the tape is by Jared Leopard.

Read More

7pIPXy5s

Photo by Euseng Seto

If you’ve been lucky enough to hear and/or own some of Malaysian artist Moslem Priest‘s many dubs, you’ll know the man born Farhan Yassin has a load of talent and a twisted rhythmic sensibility. One of the hardest working producers in the general club music sphere, Yassin’s Soundcloud is chock full of one-offs, remixes and other sonic goodies and despite a lack of official releases to his name, you could easily derive three to four albums worth of material based only on what’s already public. Next week, Rushmore‘s Trax Couture label brings Moslem Priest in for the second to last World Series, a slight derivation from the past few efforts in the serial, but a fit nonetheless with regards to its ruthless percussive sensibilities and functionality in the dance. World Series Vol. 11 is comprised of five sub bass-heavy efforts from Moslem Priest, an exercise in unconventional arrangements and robust, metallic noise. “Can I Get A” is an undulating, rolling techno number that contorts into a maelstrom of paranoiac synth work over its six minutes. It’s a track fit for warehouse play that doesn’t fit into any existing “warehouse techno” format, a divergence from past four-on-the-floor that draws from grime’s sparse arrangements and in-your-face attitude. World Series Vol. 11 is out September 28 on Trax Couture. Hit the jump for clips from the full EP.

Read More

organ-tapes

Next week, London outfit Tobago Tracks will release Organ Tapes‘ debut mixtape, the vocal-heavy WORD LIFE. First grabbing our attention via his collaborative (with Pitcheno) cover of Future and Kanye West’s “I Won”, Organ Tapes has become one of our favorite artists over the past few months, both for his beatific, slightly androgynous vocal work and for his bizarre, ambient-noise heavy beat work. “心雨”, from WORD LIFE, recalls Mario Winans and Chief Keef in equal measure, a track with a slightly underwater feel and one of the strongest vocals to date in the Organ Tapes catalogue. Be sure to check out Organ Tapes’ Astral Plane mix and look out for the release of WORD LIFE on September 23.

imaabs

If you’ve been following our Heterotopia and Heterotopia Remixes series, you’ll have known that we planned on releasing a third volume of remixes featuring a host of our favorite artists, both from the original release and from other spheres. For various reasons, that volume didn’t come together in a timely fashion, but several tracks were made and several others might appear in the future. Imaabs’ clubby take on Arkitect’s “Foucault’s Dream” was one of the tracks that did come into fruition and after a little mastering work, it’s more than ready for public consumption. On top of that, Imaabs just embarked on a huge world tour, hitting dates across South America, North America and Europe. As one of the original Heterotopia artists and a long time friend and ally of the site, it’s a real pleasure to see this tour come together and for his name to spread across the world. Enjoy this free download of Imaabs’ club opus of a remix and be sure to catch him in your city over these next few months.

Read More

kastle

Developed around a hypothetical not-so-distant future world, Symbols boss Kastle‘s forthcoming Polytopia EP is his conceptually engaging and sonically extravagant release to date, eschewing the form-based bonds that tend to define and constrict most dance music. Across six songs, the Los Angeles-residing producer works through tempo and genre with ease, expanding on the pitched down vocal work of his past releases and strutting a sound that prides its kinks and distortions instead of half-assedly burying them. We’ve got “Jasmine” for you today, one of the only tracks on Polytopia that functions sans vocals and a relatively party-amicable track in a record full of dense, emotionally-wrenching work. Sitting a comfortable 140, “Jasmine” pulses and reacts to its symphonic major melody, contorting blown out kicks below rubbery noises and what comes across as some sort of alien hydraulic system. Polytopia is out September 18 through Symbols and can be pre-ordered here.

dj-delish

A key member of the Philadelphia-centered PUMPDABEAT crew, DJ Delish has established himself as one of the most exciting ballroom producers and DJs around, garnering attention from a wide spread of artists, DJs and curators from inside and outside of the ballroom community. Most recently, Delish has been trading tracks with Rabit, whose forthcoming Communion LP is as standout as debuts come, and will be appearing on the Houston-based artist’s Halcyon Veil label. To celebrate, we’ve got the call-and-response ready “Back To The Bump”, from the HeatbeatZ mixtape, for you today, as well as a little Q&A/introduction to Delish’s background and the wildly talented PUMPDABEAT crew. If you’re familiar with Delish’s work with Kevin Jz Prodigy and tracks like “Piano Rage”, you know he’s got next and his introduction into the rapidly progressing Halcyon Veil team is more than welcome. Check out “Back To The Bump” below and hit the jump for our Q&A session with Delish.

Read More

pobvio

Anyone who attains the NAAFI seal of approval is pretty much good in our book and the inclusion of Uruguayan artist Lechuga Zafiro in the recent NAAFI Pirata 2 bootleg pack and the NAAFI NTS show is validation for a a producer and DJ who has quickly risen to the top of the echelon as far as South American artists approaching club forms goes. Not stopping with his alliance with the Mexico City-based label though, LZ is attempting to foster a community in Montevideo through his Salviatek label, bringing in fellow Uruguayan Pobvio for the label’s first full EP. The Syndombe Club EP is built around a reinterpretation of traditional candombe rhythms, bringing them into a mechanized and militarized age on tracks like “Momo Riddim” and “La Llamada” that are at once playful and full of glossy, kinetic energy. Syndombe Club is out September 11 and will feature remixes from Lechuga Zafiro and Imaabs.

hyperpron

Born out of a dearth of dance music outlets in Ottawa, the Hyperpron collective/label will release the Valves EP from crew member STRICK next week. And while Ottawa might not exactly be a thriving dance music metropolis, Hyperpron appears to be gaining a little momentum, STRICK & Phonome (of Los Angeles)’s burning “Nightlyfe” being a pretty good indication of progress. While firmly in the post-Classical Curves mold, the collaboration maintains a sprightly energy, full of sharp, four-on-the-floor snares and a well managed progression. Look out for Valves next week and be sure to keep tabs and/or subscribe to the Hyperpron Bandcamp plan.

c plus plus

As the 10th release in Rushmore‘s globetrotting World Series, Portland-based producer C Plus Plus‘ entry has a lot to be compared to, from the terraforming madness of Dreams‘ Vol. 4 to Akito‘s neck-snapping, snare-heavy Vol. 5. The company is thick in this series and it takes a strong four track effort to stand out in any way. And even though the series is chock full of functional, stripped down bangers, it’s still a pleasure to find the odd track that just embodies the spirit it intends to convey. “Bounce Trak” is a runway track with flair, from the playful glissandos, walk-bounce-walk-repeat flow and on to the bang the box percussion. Think breaks and luscious pad work fill out the work, but the splintering percussion and formal intention are the focus here and while traversing several other spheres including techno and electro, the rest of Vol. 10 achieves on a similar level. World Series Vol. 10 is out Monday, August 24 and can be previewed after the jump.

Read More