If you’ve been following the Boxed massive on social media, listened in to any of the crew’s recent Rinse show, or attended one of their eponymous club nights in London, Yamaneko is likely household name; for everyone else, the London producer is a tantalizing obscure figure. Drawing on new age meditation music, grime-but-not-grime samples and a vivid spatial awareness, Yamaneko’s debut release, the Pixel Wave Embrace LP, has garnered support from a who’s who of prominent Anglophiles on either side of the Atlantic. Pixel Wave Embrace is also a Local Action release, a somewhat surprising step for Tom Lea’s dancefloor-centric (see: Finn, DJ Q, T.Williams) imprint, but one that fits in with the previous narrative established by Lil Jabba‘s Scales, Slackk‘s Palm Tree Fire and Shriekin‘s Gold And Featherwork. “Calotype Process” exhibits the beatific prowess of Yamaneko’s work, a punchy, bewilderingly flat reinterpretation/conflagration of Wiley’s respective eskibeat and devil mix styles, arguably his two longest lasting production innovations. Pixel Wave Embrace will be released in MP3 and cassette form on November 24 and can be pre-ordered here.
Premiere: Piri Piri – “Low Earth Orbit” (Heterotopia Bonus Track)
A few weeks have passed since the release of our debut compilation Heterotopia and the response has been overwhelming. From each and every listener who has gone out of their to contribute to our slush fund via Bandcamp to the thousand-plus who have streamed, downloaded and shared the tape in full. Part of our mission here at The Astral Plane is to provide a consistent stream of original content and while our low budget, low staff approach doesn’t always allow us to keep the blog updated, we hope that our weekly mix series has filled the gap. On the compilation front, we were lucky to receive to late contributions, which, keep in mind, are from end of process tack-ons. Piri Piri and Chants, two artists we’ve engaged with numerous times in the past, came with the strong on “Low Earth Orbit” and “U Had Rhythm” respectively, two distinct club trax that fit snuggly into the framework established by the first 12 songs. The two songs have already appeared in physical form on the Heterotopia cassette tape, which you can still order (only a few more copies left!) via the Apothecary Compositions web store, but we figured it would be beneficial to give it up to the streaming masses. “Low Earth Orbit” is Gqom/Durban-inspired, drawing on South Africa’s rich, polyrhythmic house music history and adding their distinct, South London bent to the affair. February’s Patterns EP (out now on Silverback Recordings) is one of the year’s best efforts, but the future is much brighter for this ready-to-dig duo.
And remember, this will be our only production of the Heterotopia cassettes, so grab yours before it’s too late.
Premiere: Lowhitey – “Studnia (Chants Remix)”
Ever-prolific Seattle imprint Hush Hush Records has built quite a stable of Pacific Northwest artists, ranging from the moody garage-inspired work of label star Kid Smpl to the cold brewed theatrics of Cock & Swan and its lead singer Ola. Hanssen, Slow Year, Korma and DJAO, who have all released on Hush Hush in some form, are also Seattle residents, feeding their respective takes on beat music, grime and Houston screw tunes with mixed results and affects. Outside of the friendly confines of the Northwest though, the Hush Hush family has expanded, from Wisconsite Chants (whose tune on our very own Heterotopia compilation will be revealed soon) to the imprint’s latest and most far flung signee, Polish producer Lowhitey.
It’s clear that Hush Hush has touched on a particular moment and sentiment in Seattle, building a brigade of deft producers to carry out a sound that both mirrors the drudge of the city and a greater human affliction. Now it’s time to see if the label can mirror and expand upon that sense of hopeful paranoia, warmth and desire in its future ventures, starting with Lowhitey’s stunning Alone With My Thoughts EP. The EP will be released this upcoming Monday (November 17), but the good folk at Hush Hush have gifted us a premiere of the aforementioned Chants remix contribution to the tape. Taking on the brilliant slow burn of “Studnia”, Chants flips the swishing water field recording into a foundation block for cracking boom bap percussion and unguarded meat grinder synth work. Chants’ take will also appear alongside remixes from VVV and The Phantom. Pre-order Alone With My Thoughts here and stream Chants’ rendition below.
Premiere: Seafloor – “It Continues” (+ ‘Drift’ EP Previews)
With two EPs already in the bag this year, Brooklyn-resident Seafloor is gearing up for his most high profile release yet, the year closing Drift EP on Montreal-based imprint Infinite Machine. Utilizing skills as a producer, vocalist and drummer, Seafloor has crafted a group of jungle-inflected 160 tunes that bounce and swim through a haze of recognizable samples, and sawtooth synth riffs. And like some of the best jungle/footwork crossover material, Drift maintains a certain elegance, balancing the extremist sentiments of the junglists and the jello aesthetic of footwork with aplomb. While certain tracks reach a level of linearity where they would not be out of place on a festival stage, Seafloor’s sonic approach doesn’t allow the EP to fall into a monochromatic trap. Drift is set for a December 1 release, but for now you can stream snippets from the effort below and download “It Continues”, an EP outtake that has been gifted to us by the good folks at Infinite Machine.
Murlo’s ‘Into Mist’ EP Out Now On Rinse
With the hyperreal in mind, Murlo has emerged from a pack of young producers with an ebullient sound that matches the melodic acrobatics of soca and the vivacity of bassline with the compositional flex of grime. If that definition could embody Murlo’s sound though, the Into Mist EP (out now on Rinse’s label arm) wouldn’t be as enveloping of a listen as it turns out to be. With a visual element that proffers up the aesthetic inner-workings of the mind of Murlo, Inner Mist coalesces around four original tracks, made up of dozens of twisting, intermingling and fantasmatic melodic threads that tantalize and thrill in equal measure. I’d like to argue that Into Mist is the most fun effort to come out of the enlarged confines of grime this year, but that would involve selling its sheer beauty short. Into Mist is out now.
L.A. Club Resource Reissuing Gene Hunt’s Seminal “Freddy’s Dead”
Despite the fact that you’re probably more likely to find a large quantity of L.A. Club Resource shirts in Amsterdam or Berlin these days, the Angeleno-led imprint has been making inroads in its native city and in American club land at large. The of-the-moment imprint’s latest release, a reissue of Chicago legend Gene Hunt’s “Freddy’s Dead” (with “Bong” on the b-side), could easily be perceived as Halloween-themed, but in the general work stream of the label’s output, it’s actually relatively melodious, if not downright euphoric. Hunt, known for releases on TRAX, Trainspotter’s Nightmare and Housetime Records, is a more-than-welcome addition to the Club Resource catalogue, bringing a timeless edge to the No Limit cassettes and label boss Delroy Edwards‘ own slowed down funk excursions. The 12″ version of “Freddy’s Dead/Bong” is available here and at select outlets throughout the Flatland.
Download Mala & Loefah Set From 2006
For years, Martin Clark aka Blackdown Soundboy’s blogspot address has functioned as both a central point for some of the most current, self-defining journalism in dance music and a treasure trove of garage, grime, dubstep (and beyond) history, including mixes, interviews and retrospectives on the scene’s seminal nights, conflicts and successes. For me, the site has offered a pin prick camera view into the demise of late 1990s garage, the rise of dubstep and the proliferation of grime. It offered a gateway into the spread, mutation and peculiarities of the music I now hold close to my heart and which, at the time, I was unable to connect with due to age, geography and a shit modem connection. Recurring characters like Skream, Kode9 and DJ Target have become familiar, despite the fact that the majority of the articles were written five-plus years ago. Today marks the 10th anniversary of the site, which will hopefully continue to function as an unofficial register of 2000s ‘nuum culture for years to come, and Clark has uploaded an absolute classic of a mix from FWD>> (@ Plastic People) featuring Mala b2b Loefah and the inimitable SFT Pokes on mic duties.
Having never been to Plastic People, attended a FWD>> night, or step foot in East London, it’s difficult to gage exactly what Clark means when he refers to this set as the “best live dubstep set I’ve ever heard recorded,” but despite the inherent cognitive dissonance of listening to a set so firmly set in a specific temporal realm, its eminence is as easily recognizable as any other “scene defining” mix, song, album or live performance. Clark included his own version of live blogging to round out the 10th anniversary celebration, offering up memories, commentary and context to Mala & Loefah’s selections. If you’re not familiar with Clark, Blackdown Soundboy or the label, Keysound Recordings, he runs in tandem with Dusk, cut a few hours from your day and browse back through the annals of the Blackdown Soundboy blogspot.
Download: Mala b2b Loefah ft SGT Pokes live at FWD>> 01.06.06
Download Club Chemtrail’s Armand Van Helden Remix Package
In recent years, the name of Armand Van Helden has been somewhat sullied as he flies the EDM banner higher and higher, but then again, the Boston-born garage pioneer never cared much for the cerebral side of things. Portland’s Club Chemtrail team, SPF666 and Commune, have the right idea with this remix package though, pointing to two of Van Helden’s seminal 90s hits and wrenching them out of their former glory. In a sense, both of the Portland-based producer’s efforts are reboots of Van Helden’s originals, maintaining most of the original, strutting intent, but filling each respective joint with an influx of attitude, whether it be derived from ballroom, bubbling, or the dembow-meets-techno of SPF666’s Scorpion Cache EP. Portland’s got it going on these days and the Chemtrail buds continue to lead the way.
Astral Plane Recordings x Apothecary Compositions
It’s with great pleasure that we can now announce that Astral Plane Recordings and Druid Cloak‘s Apothecary Compositions label are entering into a partnership to give Heterotopia (out now in digital form!) a physical release. As both a label and distributor, the Apothecary team works tirelessly to release well-rounded, fully-conceived statements and recently, they’ve been working with a number of digital-only labels (like us) on physical releases. In mid to late November, we’ll be letting loose a limited run of Heterotopia cassettes through the Apothecary store, an exciting opportunity to give all of you a physical memento of the compilation and an experiment in bringing club tracks to magnetic tape. The cassette will also feature two never before heard bonus tracks from Piri Piri and Chants, which will be revealed in the lead up to the release, as well as some creatively re-conceived art work. This partnership was easily ordained and placing next to labels like Night Slugs and Warp in the Apothecary web store will hopefully bring about some new exposure for us and the artists we work with. If you haven’t checked out Heterotopia yet, stream below and if you like what you hear, pre-order the cassette now!
Heterotopia is out now!
Release day is always a bit bittersweet, because, despite all the dithering and busy work that goes into releasing music, it means that the process is almost over. That being said, Heterotopia has been a passion project of ours for quite some time now and it’s with great, treacly pleasure that we finally get to unleash it on all of you. Heterotopia is inspired by Michel Foucault’s essay of the same, but not to the extent that the compilation is imprisoned within the French philosopher’s admittedly problematic framework. The tape is positioned to guide the listener into an alternate reality, not in the science fiction sense, but in the liminal, distinctly body-oriented manner of the club-verse. It was our intention to gather a group of transcendent, progressive musicians and the artists who participated in the project took the conceptual framework to heart and drafted 12 polyglot heat rocks that have continued to defy our expectations on nearly every listen. This sort of language is hyperbolic, but for those of us who take pleasure in the expectation, aftermath and release of the club context, this topic truly is important. Heterotopia is a free release, but if you do happen to have a few spare dollars to spend on otherworldly club constructions in your monthly budget, it would always be appreciated. And while this is release day, Heterotopia will continue as a project of ours in the coming weeks and months. Expect more soon on that front and enjoy.








